Hill and Patty S. Hill User reviews 7 Review. Top review. A statement which is verified in certain cases for instance if you have to live the very end of your life alone, weakened by illness and forsaken by others , but should not be considered unavoidable.
One of the solutions to this difficult problem lies is the very title of the film "Et si on vivait tous ensemble? Young adults are not forgotten for that matter with the character of Dirk, a German ethnologist who has settled down in the Colins' house to study the community formed by the group of old friends, notably his difficult relationships with a girl companion who will not accept him as he is.
But Robelin concentrates the bulk of his attention on the five old chaps and manages to tell us on the difficulties linked to old age loss of memory, illness, sex, being cut off from one's children and grandchildren, the conditions in old people's home, the nearness of death, etc. Instead he makes the right choice of a dynamic approach to the issue by suggesting a possible solution.
And isn't it known for a fact that a light tone, just like the Spoonful of Sugar of the song helps the medicine go down, is a much more powerful ferment for thought than the spectacle of despair? The second strong point of the movie is undoubtedly its amazing cast. In what other French comedy indeed can you find brought together so many great international talents as in "Et si on vivait tous ensemble?
The answer is easy : none. As a conclusion, you would be well advised not to skip such a worthwhile effort. Unless you have any objection against a movie that is at the same time wonderfully well acted, intelligent, funny and moving! Details Edit. Release date January 18, France. France Germany.
French German. Hauts-de-Seine, France. Box office Edit. Technical specs Edit. These agriculture reform laws have been brought after 30 years of 'saadhana aur vimarsh' meditation and discussions. How often do we look for medicines that are commonly used to treat a particular disease? What if we looked for medicines to treat a particular individual instead? Transitioning from the current one-cure-fits-all treatment model to a holistic approach that tailors the medical interventions.
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Reshape Tomorrow Tomorrow is different. I was particularly interested in the social issue of dependency and the elderly, which is rarely explored in cinema. When I started writing the screenplay, I remembered my great-grandparents declining in health when I was a teenager. At that time, my grandparents didn't quite know how to take care of them, because they hadn't been prepared for this situation.
So I was inspired to write a story about a group of aging friends who decide to live together. Question: How did you develop your project and how did you find your characters? Only Claude Rich was there from the early beginning and the other actors joined us throughout the different stages of scriptwriting. We had to wait for four years before shooting the film in Initially, our financial partners were put off by the idea of a film about old people, and also by my young age, but once we had won their trust they grew to love the project.
The Region Ile de France and Canal were the first on board. The contribution made by our German co-producer Peter Rommel, who joined the project early as well, proved to be crucial in the end as he raised one third of the budget.
Question: How did you convince your actors, especially Jane Fonda, to join the cast? She hadn't acted in France for almost 40 years - not since Godard's Tout Va Bien - but she speaks fluent French and so we tried our luck. She liked the screenplay and the idea of shooting with Geraldine Chaplin and high-profile French actors. It was my producer Christophe Bruncher who seduced her with his beautiful letters and clinched the deal.
I was very impressed to have Pierre Richard on board. His comedies were an important part of my childhood, so it was a great honour to work with him. He liked the idea of acting in a more reserved way, focusing on emotions rather than on gags.
Question: How did you bring the actors together to form a community? The first meeting in Paris before the shoot went very well, they got along because they have compatible characters and they are very unselfish. As a young director, I was delighted to see the respect the other actors had for one another and for Jane Fonda in particular, which gave them confidence and helped to create the dynamics of the group.
Question: How did you achieve the style and the particular charm of your film?
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